suRRism-Phonoethics – the official BLOG

Limited Liability Sounds – ‘Minimus Clangor’ / sPE_0113

Limited Liability Sounds – ‘Minimus Clangor’

Limited Liability Sounds - 'Minimus Clangor' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Limited Liability Sounds - ‘Minimus Clangor’

“I have always believed that the noise is needed in our ears as well as silence and has the right to equal existence.”
- Limited Liability Sounds

Receive your eligible copy here:
http://www.archive.org/details/sPE_0113
or here: Limited Liability Sounds – ‘Minimus Clangor’ (mp3 and covers)
Or from the player below (Limited Liability Sounds – ‘Minimus Clangor’ at Free Music Archive)

Visit this masteR: Limited Liability Sounds

Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’ / sPE_0112

Posted in Kinetic Kilograms of Knut, Sean Derrick Cooper Marquardt, sPE_0112 by suRRism-Phonoethics on August 5, 2011

Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’

Sean Derrick Cooper Marquardt - 'Kinetic Kilograms of Knut' a suRRism-Phonoethics Release, Cover by Crawl Max

suRRism-Phonoethics is proud to release
Sean Derrick Cooper Marquardt - ‘Kinetic Kilograms of Knut’

Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’
Recorded Live in Berlin 31. March 2011
Total Time: 20:00 minutes
Sean Derrick Cooper Marquardt
Cover by Crawl Max
Release by suRRism-Phonoethics (sPE_0112)

Receive your eligible copy here:
http://www.archive.org/details/sPE_0112
or here: Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’ (mp3 and covers)
Or from the player below (Sean Derrick Cooper Marquardt – ‘Kinetic Kilograms of Knut’ at Free Music Archive)

Visit this masteR: Sean Derrick Cooper Marquardt

Pacific 231 & Wehwalt – ‘Heuristic Occlusion’ / sPE_0110

Posted in Heuristic Occlusion, Pacific 231 and Wehwalt, sPE_0110, Wehwalt by suRRism-Phonoethics on July 30, 2011

Pacific 231 & Wehwalt – ‘Heuristic Occlusion’

Pacific 231 and Wehwalt - 'Heuristic Occlusion' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Pacific 231 & Wehwalt - ‘Heuristic Occlusion’

“Serene agony suffering her strive,
pigments hit his sculpture- astounded she seemed.
A true picador gorging as depicted despair through misery distinct,
profound by her must!”
-André Pissoir

Receive your eligible copy here:
http://www.archive.org/details/sPE_0110
or here: Pacific 231 & Wehwalt – ‘Heuristic Occlusion’ (mp3 and covers)
Or from the player below (Pacific 231 & Wehwalt – ‘Heuristic Occlusion’ at Free Music Archive)

Visit these masteRs: Pacific 231 & Wehwalt

Owl Brain Atlas – ‘AM/FM/UFO’ / sPE_0109

Posted in AM/FM/UFO, J.D. Nelson, Owl Brain Atlas, sPE_0109 by suRRism-Phonoethics on July 25, 2011

Owl Brain Atlas – ‘AM/FM/UFO’

Owl Brain Atlas - 'AM/FM/UFO' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Owl Brain Atlas -‘AM/FM/UFO’

J. D. Nelson: Vocals, noise, FX, tapes, samples, field recording

April, 2007 – April, 2011 Colorado & California

Gear: Shure SM57, Logitech USB microphone, Flip Video Ultra,
Panasonic RQ-2102 & RQ-L31 portable cassette recorders, Audacity, Garageband

“Despair wrong footed revere cantors truncated concubine subject matters as odalisque portraits
had anchored emerging abstracts through her voice.

Gazing moved to tears liberated boundary dominated disrupted le Réve.
Humble and picturesque she relied enormously on vivid outpouring!”
-André Pissoir

Receive your eligible copy here:
http://www.archive.org/details/sPE_0109
or here: Owl Brain Atlas – ‘AM/FM/UFO’ (mp3 and covers)
Or from the player below (Owl Brain Atlas – ‘AM/FM/UFO’ at Free Music Archive)

Visit this masteR: Owl Brain Atlas

Runar Magnusson – ‘Lennon, Lynch & Lang’ / sPE_0108

Posted in Lynch & Lang, Runar Magnusson, sPE_0108 by suRRism-Phonoethics on July 23, 2011

Runar Magnusson – ‘Lennon, Lynch & Lang’

Runar Magnusson - 'Lennon, Lynch & Lang' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Runar Magnusson -‘Lennon, Lynch & Lang’

This piece is made for a performance in Reykjavik 12. october 2010.
A Hljóðaklettar event, pre-concert for the Airwaves festival.
Using samples from John Lennon, David Lynch & Fritz Lang.
Check out Hljodaklettar for more info on events and releases.
Composed and mixed in Reykjavik Iceland by Runar Magnusson.
Cover photo: 3 figures by Runar Magnusson

“Rivera escaping her fashion, detraction rehearsal
anarchic spills,
violence harsh colors reproducing startling ballerina prim.”
-André Pissoir

Receive your eligible copy here:
http://www.archive.org/details/sPE_0108
or here: Runar Magnusson – ‘Lennon, Lynch & Lang’ (mp3 and covers)
Or from the player below (Runar Magnusson – ‘Lennon, Lynch & Lang’ at Free Music Archive)

Visit this masteR: Runar Magnusson

Madame Rrose Sélavy – ‘De Nome Ao Beuys!’ / sPE_0107

Posted in De Nome Ao Beuys!, Madame Rrose Sélavy, sPE_0107 by suRRism-Phonoethics on July 18, 2011

Madame Rrose Sélavy – ‘De Nome Ao Beuys!’

Madame Rrose Selavy - 'De Nome Ao Beuys!' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Madame Rrose Sélavy -‘De Nome Ao Beuys!’

“Levitating the paired essence, wearing chains tying the soul to heaters on full speed.”
-André Pissoir

Receive your eligible copy here:
http://www.archive.org/details/sPE_0107
or here: Madame Rrose Selavy – ‘De Nome Ao Beuys!’ (mp3 and covers)
Or from the player below (Madame Rrose Sélavy – ‘De Nome Ao Beuys!’ at Free Music Archive)

Visit these masteRs: Madame Rrose Sélavy

Pablo Ribot – ‘Conversaciones con Samuel Beckett’ / sPE_0106

Posted in Conversaciones con Samuel Beckett, Pablo Ribot, sPE_0106 by suRRism-Phonoethics on July 17, 2011

Pablo Ribot – ‘Conversaciones con Samuel Beckett’

Pablo Ribot - 'Conversaciones con Samuel Beckett' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Pablo Ribot -‘Conversaciones con Samuel Beckett’

Six pieces composed by Pablo Ribot in honor to the great
writer, playwright and poet Samuel Beckett.

Receive your eligible copy here:
http://www.archive.org/details/sPE_0106
or here: Pablo Ribot – ‘Conversaciones con Samuel Beckett’ (mp3 and covers)
Or from the player below (Pablo Ribot – ‘Conversaciones con Samuel Beckett’ at Free Music Archive)

Visit these masteR: Pablo Ribot

the.clinamen – ‘knock knock’ / sPE_0105

Posted in knock knock, sPE_0105, the.clinamen by suRRism-Phonoethics on July 17, 2011

the.clinamen – ‘knock knock’

the.clinamen - 'knock knock' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
the.clinamen -‘knock knock’

“Dismissive contemporaries
first mass culture
wild persona died in center of time

we cried coming to the start of indelible mark.”
-Crawl Max

Receive your eligible copy here:
http://www.archive.org/details/sPE_0105
or here: the.clinamen – ‘knock knock’ (mp3 and covers)
Or from the player below (the.clinamen – ‘knock knock’ at Free Music Archive)

The Distortion Mirrors – ‘Circle of Wolves’ / sPE_0104

Posted in Circle of Wolves, sPE_0104, The Distortion Mirrors by suRRism-Phonoethics on July 17, 2011

The Distortion Mirrors – ‘Circle of Wolves’

The Distortion Mirrors - 'Circle of Wolves' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
The Distortion Mirrors -‘Circle of Wolves’

The Distortion Mirrors announce the suRRism-Phonoethics release of “Circle of Wolves”.
The E.P. by the Los Angeles experimental-industrial duo of Lukas Worle and Josiah Brooks
was produced and mixed by Sylvia Massy the artwork was created by Richard A. Kirk.
The band will be supporting the E.P. with shows this fall for the “Mogwai War Machine” tour.

Receive your eligible copy here:
http://www.archive.org/details/sPE_0104
or here: The Distortion Mirrors – ‘Circle of Wolves’ (mp3 and covers)
Or from the player below (The Distortion Mirrors – ‘Circle of Wolves’ at Free Music Archive)

Visit these masteRs: The Distortion Mirrors

DMAH & BALOGH / sPE_0103

Posted in DMAH & BALOGH, sPE_0103 by suRRism-Phonoethics on July 17, 2011

DMAH & BALOGH

DMAH & BALOGH a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
DMAH & BALOGH -‘DMAH & BALOGH’

Dmah, a chaotic surrealist noise magician of many dimensions with critical paranoia.
That enjoys cinema in black and white from Santiago de Cali, Colombia and
Jared C. Balogh (A.K.A. Shadow Entity Wizard of Trans Atlantic Rage)
A Composer/Musican/Artist from Bethlehem, Pennsylvania that experiments in multiple genres.

Dmah and Balogh fuse together seamlessly in this 4 track international collaboration with a beautiful, introspective, psychedelic, explosion of many musical genres that is reinforced with well crafted noise which takes the listener on four separate journeys of conscious and subconscious expansion.

Receive your eligible copy here:
http://www.archive.org/details/sPE_0103
or here: DMAH & BALOGH (mp3 and covers)
Or from the player below (DMAH & BALOGH at Free Music Archive)

Visit these masteRs: DMAH & BALOGH

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Classwar Karaoke – 0014 Survey

Posted in Classwar Karaoke, Classwar Karaoke - 0014 Survey by suRRism-Phonoethics on June 2, 2011

Classwar Karaoke – 0014 Survey
Classwar Karaoke - 0014 Survey

Classwar Karaoke – 0014 Survey

dear friends and interested parties, somewhat via elision, we have collected the secret causes of an opaque sovereignty, paid out in bright, static derail; whose spectral figuration is clout for aταραξία, albeit viz seinsfrage, viz aufhebung, albeit as datum continuum. our haul – say, coitus ataraxy, or abbau with certain travails – sees an attenuated quang duc sic some micrortonal prog elvis, in arithmetical reverses, alighting upon ὀμφαλός γῆς omphalós gẽs … that is the pyre, the grapheme of miletus. These ploughshares are circuits: 49 this time – of the conduit-kind…

http://freemusicarchive.org/music/Classwar_Karaoke/Classwar_Karaoke_-_0014_Survey/

 

Andrew Howes – ‘Waiting’ / sPE_0102

Posted in sPE_0102, Waiting by suRRism-Phonoethics on May 15, 2011

Andrew Howes – ‘Waiting’

Andrew Howes - 'Waiting' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Andrew Howes -‘Waiting’

‘but we ants at your doorstep accommodate 3
in carnivorous relatively pants selections

…just like that of recent reason!’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0102
or here: Andrew Howes – ‘Waiting’ (mp3 and covers)
Or from the player below (Andrew Howes – ‘Waiting’ at Free Music Archive)

Visit this masteR: Andrew Howes

Tagged with: , ,

André Pissoir – ‘Threshold Aroa’ / aPR_0003

Posted in aPR_0003, Threshold Aroa by suRRism-Phonoethics on April 29, 2011

André Pissoir - 'Threshold Aroa'

At FMA André Pissoir – ‘Threshold Aroa’

http://freemusicarchive.org/music/Andr_Pissoir/Threshold_Aroa/

This audio is part of the collection: suRRism-Phonoethics

Whole Item Format Size
André Pissoir – ‘Threshold Aroa’ (320Kbps MP3 & Covers) ZIP 13.4 MB

Anton Mobin, Joséphine Muller, Ian Linter – ‘Bande Sonore Aléatoire’ / sPE_0101

Posted in Bande Sonore Aléatoire, Ian Linter, Joséphine Muller, sPE_0101 by suRRism-Phonoethics on April 17, 2011

Anton Mobin, Joséphine Muller, Ian Linter – ‘Bande Sonore Aléatoire’

Anton Mobin, Joséphine Muller, Ian Linter - 'Bande Sonore Aléatoire' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Anton Mobin, Joséphine Muller, Ian Linter -‘Bande Sonore Aléatoire’

On October 3rd, 2010, Anton Mobin, Joséphine Muller and Ian Linter met at the ASP studios for a real challenge of 5 hours long live streaming transmission, broadcasted simultaneously by two webradios: Strange Frequencies Channel and KKWNE. The full concept is called “Bande Sonore Occasionnelle pour Aprés-midi Aléatoire”. From that session Anton Mobin and Ian Linter did two edits to be released on two different labels: suRRism-Phonoethics in Germany and Kultur[Terrorismus] in Austria, thanks to Jaan Patterson and Susanne Hafenscher. This is part two: “Bande Sonore Aléatoire”

Be sure to visit the both label websites to enjoy the whole journey!
suRRism-Phonoethics
Kulturterrorismus

Receive your eligible copy here:
http://www.archive.org/details/sPE_0101
or here: Anton Mobin, Joséphine Muller, Ian Linter – ‘Bande Sonore Aléatoire’ (mp3 and covers)
Or from the player below (Anton Mobin, Joséphine Muller, Ian Linter – ‘Bande Sonore Aléatoire’ at Free Music Archive)

ANTON MOBIN
Anton Mobin is a concrete music composer & radio producer addict of field recordings.
Co-curator of the collective H.A.K. and curator of the Improvisators Network.
Objects manipulator & improvisator experienced due to several meeting with international artists
which one of the most important was certainly with Rinus van Alebeek in Berlin.
Always in search for new articulations between objects, manipulations, and interaction with his own body.
A crack, a fold, a brightness, a jolt in the plan of the sound, a convexity of surface…

http://h.a.k.free.fr
http://antonmobin.blogspot.com
http://arteradio.com

JOSÉPHINE MULLER
Joséphine Muller has been creating metamorphic video-sound fields under different names like Sex on Saturday,
Empathy Kills, Abnot Kraz, or La Main Traumatique, with Ian Linter. Improvised and minimalist electronic manipulations or electro acoustic abstractions, these are some manifestations of this OFF/BRUMA netlabel and ASP co-founder.

http://astrangerparadise.com/josephinemuller
http://astrangerparadise.com

IAN LINTER
Ian Linter is an original member of the Portuguese underground collective produções Ganza, co-founder of OFF/BRUMA netlabel, and also many other sonic entities like the non-stop webradio Strange Frequencies Channel, under the label ASP. His creations are electro-organic immediatism in any possible structure through a real-time feedback series of necessary events, and have been expressed since the early 90′s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others…

http://astrangerparadise.com/ianlinter
http://astrangerparadise.com/strange-frequencies-radio
http://pganza.com

Peak the Source – ‘Volume 1-3′ / sPE_0100

Posted in Peak the Source, Peak the Source - 'Volume 1-3' / sPE_0100 by suRRism-Phonoethics on March 29, 2011

Peak the Source – ‘Volume 1-3′ / sPE_0100

Peak the Source - 'Volume 1-3' / sPE_0100 a suRRism-Phonoethics Release

suRRism-Phonoethics proudly presents:
Peak the Source Volume1-3 [suRRism-Phonoethics sPE_0100] all 3 Volumes include:
(ALL APPEARANCES HAVE BEEN SHUFFLED into 3 Volumes) _blank, (D)(B)(H), 10Konekt, Ama, Andrew Howes, Anton Mobin, Apocalyptic Frequency Experience, Ben Presto, Berger Rond, Big Brother on Acid, Bonequi, Bryan Lewis Saunders, Carlos Ramirez, Catalyst Fantasy, Crank Sturgeon, Dada AG, Daniel Jeczalik, Darius Greene, DMAH, Dpress Hill, Dysmal Abyss, Earth Incubator, Ergo Phizmiz, Erick Diego, GoatCuntCult, God Pussy, GX Jupitter-Larsen, Hal McGee, Herr Penschuck, Hopek Quirin, Hyaena Fierling Reich, i AM esper, Ian Linter, Ideosynchronic, Imago Meccano, Inconnu Ictu, ION, Isak Anderssen, J Karl Bogartte & Jaan Patterson, Jack Hertz, Jared Balogh, Jean Montag, Jeff Gburek, Jeremy Gluck & Dave Fuglewicz, Johannes Bergmark, John 3:16, Jonas Ruchenhever, José Carlos Alonso Vazquez, Juan Antonio Nieto, John Clifford Rhody, Justin Lee Brown, K.O.B, Kalendar, Kommissar Hjuler, Kommissar Hjuler & Frau mit Jaan Patterson, Koobaatoo Asparagus, Kristus Kut, Krupnik, Kuuleminen Asiat, LARA a’ Cappella, Lauris, Leif Elggren, Lezet, Ludo Mich, Luther Blissett, Lux P0g0, M.Mnomized, Macu, Matthew Sforcina, Mikhail Lezin, Mulinex, Murmurists, Mutant Beatniks, Mutate, Noise Research, noizeDemon, Nutrients, Olelé Brut, Ophir Ilzetzki, Otras Carpeta, Otto von Rhinau, Owl Brain Atlas, Pacific 231, PAS, Patrizia Oliva, Philippe Petit, Qkcofse, Radio Klebnikov, Rafal Iwanski, Ralf Rabendorn, Raymond Dijkstra, Reve Steich, Richard Lainhart, .RR, Runar Magnusson, Rune Martinsen, Sebastian Sighell, Seiei Jack, Sinus Buds, Spidey Agutter, Stalaktos, suRRism, Temple Music, Thamyris Jones & Jaan Patterson, The Curio Sideshow, The Distortion Mirrors, The Hare and The Moon, The Implicit Order, The Importance of Birds, The Noisettes, The Nothing Machine, The Panjandrum Of Quondam, Thee Virginal Brides, Thierry Tillier, Tobias Herzz Hallbauer, ToBo, Travis Johnson, Treillarmee, undRess Béton, Violence and the Sacred, Vladimír Hirsch, Wehwalt, Where Everything Falls Out, William Davison, Ymmv, Yoshihiro Kikuchi, Zacarias Malden, Zilmrah Zreen Toyz.

Receive your eligible copy here:
Peak the Source – ‘Volume 1-3′ / sPE_0100
Or from the players below (Peak the Source – ‘Volume 1-3′ / sPE_0100 at Free Music Archive)

 

Jeremy Gluck and Binda23 – ‘Surrendered To My Function’ / sPE_0099

Posted in Jeremy Gluck and Binda23, sPE_0099, Surrendered To My Function by suRRism-Phonoethics on March 12, 2011

Jeremy Gluck and Binda23 – ‘Surrendered To My Function’

Jeremy Gluck and Binda23 - 'Surrendered To My Function' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Jeremy Gluck and Binda23 -‘Surrendered To My Function’

Surrendered To My Function I Want Sometimes/ 
What Is Truth/ 
What Is Beyond These Words/ 
Some Say Silence/ 
I Say Neither Silence Nor Noise///Neither/ 
That Must Be Related To The Fact That This Is The Case/ 
There Is No I/ 
And Even If There Is, 
I Does Not Actually Want Very Much Anymore/ 
Exactly/ 
I Want Sometimes We Have To/ 
What Is Happening To Me – Any Of Us - 
Happens Unseen And Unthought/// 
Lets Talk About The Fact That Yes, 
It Is A Voiding/ 
You Are An Attractive Form Of Words, 
Yes People Often 
Say You Are Good With Words/ 
What Are You Fine, How Are You Fine, 
How Are You Fine, How Are You Good With You/ 
Are An Attractive Form 
Of Words, Yes People Often Say Good You Are So Right/ 
What Should I Want/ 
Very Little/ 
Such Is The Escape To Your True Function And Purpose It Eludes You/ 
I Am Less And Less/ 
I Have Not Mastered 
Is The Escape To Your 
True Function And Purpose It Eludes You/ 
I Am Less And Less/ 
Is What Remains Useful Functional? 
That Is The Essence Of It/ 
What If We Can Not Figure 
And That Is It, A Voiding You Are With Words/ 
What Am I Good With Words, 
Itry To Outwit Myself With Them/ To Escape/ 
That Must Be Related To 
The Fact That Yes, It Is A Voiding Of Possibilities/ 
That Is It, A Voiding/ 
I Am Less And Less/ Is What Remains Useful 
Functional? 
That Is The Essence Of It/ 
You Have Been A Master Escapist All 
Of Your Life 
The One Escape You Have Been A Master Escapist 
You For Weeks/ 
Have You Missed Me To Be Anything 
It Is A Love 
Mixed With A Sense Of Loss/ How Does That Make You Feel Sometimes Bemused/ 
At Others, 
Surrendered To Pushing The Limits Of Words/// 
What Can Be Done With Words/ 
What Are You Sometimes/ 
I Does Not Actually Want Very Little/ 
Exactly You Want 
Because There Is No I And Even If There Is, 
I Does Not Actually Want 
Very Much Anymore/ Exactly/ 
That Is Not Words/ That Reminds Me 
Of When You Said That Yes You Slip Into 
A Very Lax And Aimless State 
It Is Self-Fulfilling/ 
Good With Words, I Try To Outwit Myself With Them/ To Escape/ You Have Not Spoken To You For Weeks/ 
Have You Missed Me To Be 
Absorbed You Do Not Wish 
To Try Anymore To Be Anything 
It Is Not Words/ That Reminds Me Of When You Said That 
And That Is Not Quite 
Negative, It Is A Loved Mixed With A Sense Of Loss/ 
How Does That Make 
You Feel Sometimes Bemused/ 
That Reminds Me Of When You 
Said That Yes 
You Slip Into A Very Lax And Aimless State 
It Is You 
Know It You Have Not Mastered 
Is The Escape To Your True Function 
And Purpose It Eludes You/ Indeed/ I Am Less And Less/ I Have Not Mastered Is The Case/ 
Very Little/ 
Exactly You Want Because There Is No I And Even If There Is, 
I Does Not Actually Want Very Much Anymore/ Exactly/ 
I Want Sometimes/ What If We Can Not And That Is Not Quite Negative, It Is A Voiding 
You Are An Attractive Form Of Words, Yes People Often Say Good You 
Are So Right You Cannot Get What You Want Because There Is No I And 
Even If There Is, I Does Not Actually Want Very Little Such Is The 
Case/ Very Little/ Less And Less/ Does That Make You Feel Sometimes Bemused/ At Others, Surrendered To My Function/ Continue/ Surrendered To Pushing The Limits Of Words///What Can Be Done 
With Words/ Yes/ It Is Not Words/ That Reminds Me Of When You Said That And That Is 
Not Words/ That Reminds Me Of When You Said That Yes You Slip Into 
A Very Lax And Aimless State It Is Not That You Are With Words/ 
Please, Go On/ I Love Words///But It Is Self-Fulfilling/ A Voiding/ I Am Less And Less/ Is What Remains Useful Functional? 
That Is The Crux Of The Matter, 
Indeed You Want Because There Is No I 
And Even If 
There Is, I Does Not Actually Want Very Little 
Such Is The Essence Of It You Are With Words/ Please, Go On/ I Love Words///But It Is A Loved Mixed With A Sense Of Loss/ How 
Does That Make You Feel Sometimes Bemused/ At Others, Surrendered To 
My Function/ Continue/ Surrendered To My Function/ Continue/ Surrendered To My Function/ Continue/ Surrendered To My Function/ Continue/ 
Surrendered To My Function/ Continue/ Is What Remains Useful Functional? 
That Is The Case/ Very Little/ 
Exactly You Want To Matter But Experience Contradicts This The 
Interesting Thing Is That The Longer I Remain Dull And Still The Less Use 
The World Has For I I Could Be As Much As Dead Without Dying/ True/ Too True/ Yes/ It Is A Voiding You Are An Attractive Form Of Words/ 
What If We Can Not And That Is The Case/ Surrendered To My Function/ Continue/ Surrendered To My 
Function/ Continue/ Surrendered To My Function/ Continue/ Surrendered To 
My Function/ Continue/ Surrendered To Pushing The Limits Of 
Words///What Can Be Done With Words/ Please, Go On/ I Love Words///But It Is 
Not That You Have Not Mastered Is The Essence Of It 
You Have Not 
Spoken To You For Weeks/ 
Have You Missed Me To Be Anything It Is A 
Loved Mixed With A Sense Of Loss/ How Does That Bother You In A 
Sense, Yes/ But Then, Not/ 
What Am I Good With You Are With Words/ The Interesting Thing Is That The Longer I Remain Dull And Still 
The Less Use The World Has For I 
I Could Be As Much As Dead Without Dying,/ True/ Too True/ Ninety Per Cent Of What Is Beyond These Words Some Say Silence/ I Say 
Neither Silence Nor Noise///Neither/ Something/// That Must Be Related To The Fact That You Are With Words/ 
Something/// That Must Be Related 
To The Fact That Yes, It Is A Loved Mixed With A Sense Of Loss/ 
I Does Not Actually Want Very Much Anymore/ Exactly/ I Want Very Little Such Is The Essence Of It You Are So Right You 
Cannot Get What You Want Because There Is No I And Even If There Is, I 
Does Not Actually Want Very Much Anymore/ Exactly/ I Want Very Much Anymore/ Exactly/ I Want Very Much Anymore/ That Reminds Me Of When You Said That Yes You Slip Into A Very Lax 
And Aimless State It Is Not Quite Negative, It Is Not That You Are 
With Words/ Yes/ It Is Self-Fulfilling/ Good With Words, I Try To Outwit Myself 
With Them/ To Escape/ Is What Remains Useful 
Functional That Is The Essence Of It/ 
Such Is The Escape To Your True Function And Purpose It Eludes You/ 
I Am Less And Less/ A Voiding/ I Am Less And Less/ 
Words Are My Bondage///And My Liberation/ 
Please, Go On/ What Is Happening To Me – Any Of 
Us – Happens Unseen And Unthought/// Lets Talk About The Fact That 
This Is The Essence Of It You Have Failed I Are Lost Now Now/ Interesting///And True/ Yes/ I Are Lost/ Yes/ It Is You Know It You Have Failed I Are Lost/ That Must Be Related To The Fact That You Are With Words/ 
What Are 
You Fine, How Are You 
You Have Been A Master Escapist All Of Your Life The One Escape You Have 
Failed I Are Lost/ Yes People Often Say Good You 
Are So Right You Cannot Get What You Want To Matter But Experience 
Contradicts This The Interesting Thing Is That The Longer I Remain Dull And 
Still The Less Use The World Has For I I Could Be As Much As Dead 
Without Dying/ True/ Too True/ Ninety Per Cent Of What Is Happening To Me – Any Of Us – Happens 
Unseen And Unthought/// Lets Talk About The Fact That This Is The 
Escape To Your True Function And Purpose It Eludes You/ Indeed/ I Am 
Less And Less/ I Have Not Spoken To You For Weeks/ 
I Have Not Mastered Is The Crux Of The Matter 
Yes, It Is A Love Mixed With A Sense Of Loss/ Surrendered To My Function/ 
Continue/ Surrendered To My Function/ Continue/ Surrendered To My 
Function/ Continue/ Actually Because If We Can Not And That Is The Essence Of It You Are So 
Right You Cannot Get What You Want Because There Is No I And Even If 
There Is, I Does Not Actually Want Very Can Not And That Is The 
Essence Of It You Are So Right You Cannot Get What You Want Because 
There Is No I And Even If There Is, I Does Not Actually Want/ Out For Ourselves/ What If We Can Not And That Is The Essence 
Of It You Are So Right/ Exactly/ What If We Can Not And That Is The Essence Of It You Have Been A 
Master Escapist All Of Your Life The One Escape You Have Been A Master 
Escapist All Of Your Life The One Escape You Have Been A Master Escapist 
All Of Your Life The One Escape You Have Been A Master Escapist All 
Of Your Life The One Escape You Have Not Mastered Is The Essence 
Of It/ Surrendered To My Function/ Continue/ Surrendered To My 
Function/ Continue/ Surrendered To My Function/ Continue/ Surrendered To  My Function/ Continue/

Receive your eligible copy here:
http://www.archive.org/details/sPE_0099
or here: Jeremy Gluck and Binda23 – ‘Surrendered To My Function’ (mp3 and covers)
Or from the player below (Jeremy Gluck and Binda23 – ‘Surrendered To My Function’ at Free Music Archive)

Visit this masteR: Jeremy Gluck

 

submit your track to suRRism-Phonoethics sPE_0100…

Posted in Open call by suRRism-Phonoethics on March 6, 2011

INVITE to submit your track to suRRism-Phonoethics…

by Jaan Patterson on Friday, February 18, 2011 at 9:50pm

The 100th release of Surrism-Phonoethics is coming up, we want you being part of a compilation which will be releasing as sPE_0100

Please send your 320Kbps MP3 via any filesharing service to mail AT phonoethics DOT com

including 3 bits of info Artist/Bandname, Country, LINK/contact

Track may be up to 15 minutes.

Hope you join the fun! 18th of March DEADLINE!

Tell y/ouR d/eaR Friends…

sPE_0100

18th of March DEADLINE

http://surrism.phonoethics.com/

So far these artists have contributed:

(all will be shuffled randomly when complete on 18th march)

  1. _blank
  2. (D)(B)(H)
  3. 10Konekt
  4. Ama
  5. Andrew Howes
  6. Anton Mobin
  7. Apocalyptic Frequency Experience
  8. Ben Presto
  9. Berger Rond
  10. Big Brother on Acid
  11. Bonqui
  12. Bryan Lewis Saunders
  13. Carlos Ramirez
  14. Catalyst Fantasy
  15. Crank Sturgeon
  16. Dada AG
  17. Daniel Jeczalik
  18. Darius Greene
  19. DMAH
  20. Dpress Hill
  21. Dysmal Abyss
  22. Earth Incubator
  23. Ergo Phizmiz
  24. Erick Diego
  25. GoatCuntCult
  26. God Pussy
  27. GX Jupitter-Larsen
  28. Hal McGee
  29. Herr Penschuck
  30. Hopek Quirin
  31. Hyaena Fierling Reich
  32. i AM esper
  33. Ian Linter
  34. Ideosynchronic
  35. Imago Meccano
  36. Inconnu Ictu
  37. ION
  38. Isak Anderssen
  39. J Karl Bogartte & Jaan Patterson
  40. Jack Hertz
  41. Jared Balogh
  42. Jean Montag
  43. Jeff Gburek
  44. Jeremy Gluck & Dave Fuglewicz
  45. John 3:16
  46. Jonas Ruchenhever
  47. José Carlos Alonso Vazquez
  48. Juan Antonio Nieto
  49. John Clifford Rhody
  50. Justin Lee Brown
  51. K.O.B
  52. Kalendar
  53. Kommissar Hjuler
  54. Kommissar Hjuler & Frau mit Jaan Patterson
  55. Koobaatoo Asparagus
  56. Krupnik
  57. Kuuleminen Asiat
  58. LARA a’ Cappella
  59. Leif Elggren
  60. Lezet
  61. Ludo Mich
  62. Lux P0g0
  63. M.Mnomized
  64. Macu
  65. Matthew Sforcina
  66. Mikhail Lezin
  67. Mulinex
  68. Murmurists
  69. Mutant Beatniks
  70. Mutate
  71. Noise Research
  72. noizeDemon
  73. Nutrients
  74. Olelé Brut
  75. Ophir Ilzetzki
  76. Otras Carpeta
  77. Otto von Rhinau
  78. Owl Brain Atlas
  79. Pacific 231
  80. PAS
  81. Patrizia Oliva
  82. Philippe Petit
  83. Qkcofse
  84. Radio Klebnikov
  85. Rafal Iwanski
  86. Ralf Rabendorn
  87. Raymond Dijkstra
  88. Reve Steich
  89. Richard Lainhart
  90. .RR
  91. Runar Magnusson
  92. Rune Martinsen
  93. Sebastian Sighell
  94. Seiei Jack
  95. Sinus Buds
  96. Spidey Agutter
  97. Stalaktos
  98. suRRism
  99. Temple Music
  100. Thamyris Jones & Jaan Patterson
  101. The Curio Sideshow
  102. The Distortion Mirrors
  103. The Hare and The Moon
  104. The Implicit Order
  105. The Importance of Birds
  106. The Noisettes
  107. The Nothing Machine
  108. The Panjandrum Of Quondam
  109. Thee Virginal Brides
  110. Thierry Tillier
  111. Tobias Herzz Hallbauer
  112. ToBo
  113. Treillarmee
  114. undRess Béton
  115. Violence and the Sacred
  116. Vladimír Hirsch
  117. Wehwalt
  118. William Davison
  119. Ymmv
  120. Yoshihiro Kikuchi
  121. Zacarias Malden
  122. Zilmrah
  123. Zreen Toyz

 

Tagged with:

INVITE to submit your track to suRRism-Phonoethics…

Posted in invitation by suRRism-Phonoethics on March 4, 2011

INVITE to submit your track to suRRism-Phonoethics…

by Jaan Patterson on Friday, February 18, 2011 at 9:50pm

The 100th release of Surrism-Phonoethics is coming up, we want you being part of a compilation which will be releasing as sPE_0100

Please send your 320Kbps MP3 via any filesharing service to mail AT phonoethics DOT com

including 3bits of info Artist/Bandname, Country, LINK/contact

length up to 10 minutes

Hope you join the fun!

18th of March DEADLINE

http://surrism.phonoethics.com/

  1. _blank
  2. (D)(B)(H)
  3. 10Konekt
  4. Ama
  5. Andrew Howes
  6. Anton Mobin
  7. Apocalyptic Frequency Experience
  8. Ben Presto
  9. Berger Rond
  10. Big Brother on Acid
  11. Bonqui
  12. Bryan Lewis Saunders
  13. Carlos Ramirez
  14. Catalyst Fantasy
  15. Crank Sturgeon
  16. Dada AG
  17. Daniel Jeczalik
  18. Darius Greene
  19. DMAH
  20. Dpress Hill
  21. Dysmal Abyss
  22. Earth Incubator
  23. Ergo Phizmiz
  24. Erick Diego
  25. GoatCuntCult
  26. God Pussy
  27. GX Jupitter-Larsen
  28. Hal McGee
  29. Herr Penschuck
  30. Hopek Quirin
  31. Hyaena Fierling Reich
  32. i AM esper
  33. Ian Linter
  34. Ideosynchronic
  35. Imago Meccano
  36. Inconnu Ictu
  37. ION
  38. Isak Anderssen
  39. J Karl Bogartte & Jaan Patterson
  40. Jack Hertz
  41. Jared Balogh
  42. Jean Montag
  43. Jeff Gburek
  44. Jeremy Gluck & Dave Fuglewicz
  45. John 3:16
  46. Jonas Ruchenhever
  47. José Carlos Alonso Vazquez
  48. Juan Antonio Nieto
  49. John Clifford Rhody
  50. Justin Lee Brown
  51. K.O.B
  52. Kalendar
  53. Kommissar Hjuler
  54. Kommissar Hjuler & Frau mit Jaan Patterson
  55. Koobaatoo Asparagus
  56. Krupnik
  57. Kuuleminen Asiat
  58. LARA a’ Cappella
  59. Leif Elggren
  60. Lezet
  61. Ludo Mich
  62. Lux P0g0
  63. M.Mnomized
  64. Macu
  65. Matthew Sforcina
  66. Mikhail Lezin
  67. Mulinex
  68. Murmurists
  69. Mutant Beatniks
  70. Mutate
  71. Noise Research
  72. noizeDemon
  73. Nutrients
  74. Olelé Brut
  75. Ophir Ilzetzki
  76. Otras Carpeta
  77. Otto von Rhinau
  78. Owl Brain Atlas
  79. Pacific 231
  80. PAS
  81. Patrizia Oliva
  82. Philippe Petit
  83. Qkcofse
  84. Radio Klebnikov
  85. Rafal Iwanski
  86. Ralf Rabendorn
  87. Raymond Dijkstra
  88. Reve Steich
  89. Richard Lainhart
  90. .RR
  91. Runar Magnusson
  92. Rune Martinsen
  93. Sebastian Sighell
  94. Seiei Jack
  95. Sinus Buds
  96. Spidey Agutter
  97. Stalaktos
  98. suRRism
  99. Temple Music
  100. Thamyris Jones & Jaan Patterson
  101. The Curio Sideshow
  102. The Distortion Mirrors
  103. The Hare and The Moon
  104. The Implicit Order
  105. The Importance of Birds
  106. The Noisettes
  107. The Nothing Machine
  108. The Panjandrum Of Quondam
  109. Thee Virginal Brides
  110. Thierry Tillier
  111. Tobias Herzz Hallbauer
  112. ToBo
  113. Treillarmee
  114. undRess Béton
  115. Violence and the Sacred
  116. Vladimír Hirsch
  117. Wehwalt
  118. William Davison
  119. Ymmv
  120. Yoshihiro Kikuchi
  121. Zacarias Malden
  122. Zilmrah
  123. Zreen Toyz

 

Tagged with:

Andrew Howes – ‘Set’ / sPE_0098

Posted in Set, sPE_0098 by suRRism-Phonoethics on March 4, 2011

Andrew Howes – ‘Set’

Andrew Howes - 'Set' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Andrew Howes -‘Set’

‘but we ants at your doorstep accommodate 3
in carnivorous relatively pants selections

…just like that of recent reason!’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0098
or here: Andrew Howes – ‘Set’ (mp3 and covers)
Or from the player below (Andrew Howes – ‘Set’ at Free Music Archive)

Visit this masteR: Andrew Howes

 

Tagged with: , ,

Classwar Karaoke – 0013 Survey

Posted in Classwar Karaoke - 0013 Survey by suRRism-Phonoethics on February 28, 2011

0013 survey / 28th February 2011

friends, interested parties, consider please the following… feral hysterians in some diorama for daphne oram; elegiac tangles, in a loving welter of thought-we, squailing ddmmyy, squailing nail young, hairshirted and funereal, emailing. or munitions at fahrenheit 452; remote locations for prolegamena, in super id or so. or scribble along all 21 buttons of the omlette and the egg, niddle-noddle for lucky 13. this is a requiescat not a silo. the only way is up.

6 or 7: また電話するね (mata denwa surune) / kotomi nishiwaki: voice / hopek quirin: bass
Ambient Fabric: I do it my way…
Bloem: Triple fragmentation is a chemical experiment for tapes and saxophone baritone. All sequences were played live by Bloem (Anton Mobin on tapes and Maurice Charles JJ on saxophone baritone) at Le Café Central in Brussels on December 14th, 2010. All sounds are cutter, assembled and edited by Anton Mobin at the Maïzing Studio Paris, specially for Classwar Karaoke. “Triple fragmentation” makes at the same time reference to the complex result of a series of incomprehensible chemical operation, as well as to a sound experiment under influence of Belgian beers  which the content in alcohol is strongly upper to the average ! Contacts: Maurice Charles JJ (aka Jean-Jacques Duerinckx) www.myspace.com/mauricecharlesjj jjmcduerinckx@gmail.com Anton Mobin http://antonmobin.blogspot.com/ antonmobin@hotmail.com
Cagey House: The doctor and I were drinking one night, in a part of town that we didn’t usually frequent. As always, we were trying to keep a low profile, but the doctor, with his white lab coat and his stethoscope, always attracted some attention. That night the attention was all of the unwelcome kind. It had been coming for a while, but that was the night I knew for sure—humor was out, and serious was back in style. As we sat at a corner table, discussing the situation, a dart whizzed by and smacked into the wall right by our heads. We turned, and another sailed in and stuck in the table, right by the drinks. Over at the dartboard, a kid—who looked very familiar—was laughing. He was with two mummies–all wrapped up but also wearing shades, and hats, and cheap suits. There seemed to be a cloud of dust hanging around them. The Doctor got up to have a word, and I figured that was that. But when he came back, he looked shaken He gulped his drink without bothering to sit back down and pointed at the door. In the parking lot he said to me, “That kid with the mummies, he’s got a time machine, and he’s going to go back to the fifties, and mess around, and fix it so that I never happen.” I told him that was crazy. People wouldn’t stand for it. He was the heir, the best and brightest. But from that night on, I saw less and less of him. Until it got to be like he had never happened. Then a few years later–a few long years–I was in the basement doing laundry, and the phone rang. I picked it up, and could hear the unmistakable sound of a good time in progress—muffled laughter, glasses clinking, a cash register’s ring. And there was music—weird, good music—loud guitars and horns working through some eerie mode. Then, just before the line went dead, I heard the Doctor’s voice, “Where have you been, where have you been, where have you been?” And I’ve been wondering ever since.
Caroline Ono: (conventional convent convention converts conversation)…
Cezar: [...]
Clutter: Lanternhouse II (7:54) (Shaun Blezard) / Lanternhouse II is an electro-acoustic improvisation using found sounds from Lanternhouse in Ulverston as part of Shaun Blezard’s artist residency there under the project name Cumbria Remixed. Cumbria Remixed is a sound project using digital technologies to investigate and remix the soundscape of Cumbria. It will look at creating a lively dialogue between old and new, young and old through field recordings of Cumbrian environments, and Cumbrian people’s tales, tunes, stories and songs. I will use digital technology to remix and remould our environment and our stories to create new soundscapes and songs. Cumbria remixed is a project by Shaun Blezard for Lanternhouse. Shaun Blezard has been writing music about and of Cumbria for over 10 years, working with artists, poets, musicians, dancers and the community as well as incorporating sounds of the local environment into his work. He is interested in working with every day new technologies such as mobile phones and games consoles as well as standard digital technologies to create music and sound art. His current live set up includes iPhone, Nintendo DS, laptop and effects pedals. He is interested in areas of music where genres meet and finding ways to incorporate this melding of influences back into his music. His working method involves the use of field recordings, both raw and processed, to convey a sense of place and narrative, with the immediate sonic environment at the core of his work. ‘A fine collection of digital landscape paintings and atmospheres by Shaun Blezard under his Clutter alias… Remarkable to think that such clinical instruments as the iPod and Nintendo DS were used as tools to realise this very human music’ – Ed Pinsent – Sound Projector 19 http://cumbriaremixed.blogspot.com/ http://soundcloud.com/cumbriaremixed www.lanternhouse.org www.cluttermusic.com
Collectif Sin: this track is a pattern we created to search through the clip system on Pure Data. this brings you to find some Rock n Roll saturation on our frequencies, which are only numeric frequency generators. ~ = sin, is sinusoid, writing mathematical vibration. ~ = alt+n pure data. ~ = Collectif sin ~ , Flavien Berger, Erwan Evin, Quentin Caille and Paul Boudeau
Crank Sturgeon: –Period Piles– complementary disclosure. insuring censors ensues. one many two any too. on the wife wither lithe. tines to pose. rest well hairy zest. zealous ire spiels eel wire. whittle title. trial tamper tooth eating. wit tidal. try all temper truth heeding. pits hewn. pithy hues. pity pews. pittance use. while we we wary away. rising rice bed tweed teal. criers career veered clear. briar bush vicar veal. mired me malaise. suggestive vests since wince. cold welcome tinder from. pious abuse burial cot. counting glance. sentient door. cemented memory steer varied. periods appeal winter terra. precious amounts safely tooled. clamor prints pliers field. baying loot tenfold glue. lasting haste. wasting hassle. vast wind hassock. crass wing hash poor. rearing wheeze knocker nine. praising edition berry headway. one over five fire rotunda. wool rundown column salaam. coin tousle red slues digger. giant blazer toke tree fable.
Crash Duo: “Inside a movement – The mechanism to rock the intrusion” / Classwar Karaoke 0013 / Acoustic pressure due to sound waves, probably more than 50 explosions.
Three parts can be distinguished in this acoustic pressure from bubble waves with a frequency of *Hz. Crash Duo produce sound in air by imposing a rapid motion to the interface. Bubble traveling in the uppermost *m, its strong vibration, overpressure generates the main event with a frequency around *Hz. Kinematic waves of frequency around *Hz are the main source of this crash sound. Contacts: Ayato http://h.a.k.free.fr ayatosan@yahoo.fr Anton Mobin http://antonmobin.blogspot.com/ antonmobin@hotmail.com
Donovan/Montag/Pearson: Faro H Wind H Christ Manwatcher by Anthony Donovan, Jean Montag and Jo Pearson. Music by Donovan / Montag / Pearson. Words by Pearson /// I thought you were Just the ticket… then he told me the end would be fairly tough I knew I’d gone far enough every day I meet my maker he’s a bit of a faker a bit of a fakir Jesus forgive me I think that this might be blasphemy he said: ‘do what’s best for you’ so I said: ‘I’ll carry on watching: man, it’s such a blast for me even when it’s shocking’ (He was winding you up all along) / Recorded in Spain and the UK, 2011, especially for Classwar Karaoke. Donovan, Montag and Pearson work individually, respectively, as Murmurists, A Quiet Monday and One Minute Wanda
FluiD: (Christophe G.) is a Chicago, IL. (US) based producer and remixer. Developing a signature sound based on beats, bass and noise, FluiD has carved out a unique and truly original sound. Releasing a large amount of music both as a solo artist (FluiD, subduxtion and Re: dux tion) and collaborator, on various independent labels around the world. His music encompasses a multitude of styles and influences – techno, jazz, noise, classical avant-garde, hip-hop, psychedelia, metal, dub, early industrial and dark-ambient. He has also remixed several international and national artists including, Disinvectant (UK), DJ Phys (Switzerland), LAX (UK), Heat From A Deadstar (France/Switzerland), Ghoul (US) and Actors and Actresses (US). Regulary performing/touring the US, FluiD has developed a live show that re-defines how electronic music is performed
Frédéric D. Oberland: A frozen plane behind the misted porthole. A far away melody in the room. Then a chair, a piano. Through a corridor the wind is whistling these words from E.E Cummings. ‘maggie and milly and molly and may went down to the beach(to play one day) and maggie discovered a shell that sang so sweetly she couldn’t remember her troubles, and milly befriended a stranded star whose rays five languid fingers were; and molly was chased by a horrible thing which raced sideways while blowing bubbles: and may came home with a smooth round stone as small as a world and as large as alone. For whatever we lose (like a you or a me) it’s always ourselves we find in the sea’ Recorded and mixed by Frédéric D. Oberland between Paris (Magnum Diva studio), Reykjavik (IS) and Le Moulin Fondu (Noisy-Le-Sec). Fender rhodes, electric bowed guitar, piano, field recordings, theremin, electronics, photograph: Frédéric D. Oberland http://soundcloud.com/fredericdoberland http://www.myspace.com/farewellpoetry
http://www.therustleofthestars.com/
Graham Dunning: My working practice deals with temporality, memory and narrative through sound, performance and installation. I am interested in people’s discarded memories,  in photographs, sound recordings or objects, and the function of archiving. Found home recordings from the recent past feature in my work investigating notions of the artifact and implied narrative. Experimentation is important in my work, and my practice is often informed by scientific experimental protocol
Gurdonark: In a time when information is more available and more important than ever, access to information is being treated as a commodity. Among the potential casualties of this change is the public library. In Library, the music explores the quiet complexities of this common but un-commonplace institution. The music was created with the Sawcutter 2.0 software synthesizer, using simple samples I created. I used two Bolivian flutes, a tarkas and a ponquillo, as well as a pewter cup and a circular kitchen bowl, to create the sound samples used in this song. I believe in self-education, in upward mobility through learning, and in closing the educational gap between rich and poor through libraries and schools. The image is a view of the surrounding mountains from the rooftop of the Salt Lake City, Utah public library.
Hal McGee: Hal McGee plays the Moog FreqBox and Behringer UB802 mixer with the voltage-controlled filter of Korg Monotron in this no-input mixer feedback loop improvisation
Ian Linter: Vurn in Mir’Ias 13:02:1010 / “Mir’Ias. Quando aquela mulher chegou, ela levava debaixo do braço um sonho de encantar. MiasmatiK solution, envolving  Abnot k. Na fuga fez a vitória suprema, e depois, entre as aranhas dos lados, e nas buscas do possível, ela se enfiou pelo pedaço da noite que restava. Below zero atrox & Nubia accelerator. Depois, a noite toda foi coberta de espantos e acelerações do imediato. ZX Nubia – a aceleração condensa o espírito e transfere o pensamento – ZX Vurn.” http://astrangerparadise.com/ianlinter
Igor’s Roomy Lab Coat: Igor’s Roomy Labcoat present a track by compadres stix, dieckman von spasmid and igor leakin-beaker – ‘ownself’ Be yourself, no one else can be :) You got to own it to loan it……..don’t let the bastards grind you down……….fight for your right to party et cet er a ;) Many thanks for listening, wishing you well!
John Hyatt: John is a polymath and has a long history of international exhibitions and performances as a painter, designer, musician, printmaker, author and sculptor. As well as continuing a prolific career as an artist and musician, John is currently Director of the research and postgraduate centre, MIRIAD (the Manchester Institute for Research and Innovation in Art and Design), at Manchester Metropolitan University, UK. In 2010, John exhibited in the UK, Australia, China, Japan, and India. The music world will know John as the lead singer with Leeds’ 80s’ legendary post-punk band, The Three Johns. John has recently produced a new solo album of music, ‘Do What You Wanna Do’, in a limited edition. His new album, ‘Do What You Wanna Do’ is available as a CD from his website: www.hyattartandlife.com The song included on this survey was improvised with a feral dog under a full moon on top of the volcano, Mt. Tiede, at midnight
Juca Pimentel and Anton Mobin: “Supolitanas Marítimas” / Classwar Karaoke 0013 / Os mares colhidos fumegantes entres os dedos de espuma e a saltar pelos lados caídos. As amarras colhidas amadas dos antos funestos na marítima serpente do antro-menina que se esvazia em ondas de salto. As Supolitanas tremidas dos campos olhados ao fundo do mundo e em conchas de  mira aguçada no cima. Os laranjos-ervas dos montes subidos enfidos e midos da carta séria do a. Tudo isto é sombra paralepípeda a estancar o olho no meia da mão aberta merta.  Dois passos abaixo e as ondas furam. Contacts: Juca Pimentel (Pt) http://omnicorn.com/jp/ astrangerparadise@gmail.com Anton Mobin (Fr) http://antonmobin.blogspot.com/ antonmobin@hotmail.com
Kalistongue: Don’t cry July, you’re a shining example of what people percieve you as
Lezet: /UAIS DHAIUS DHUIAS DHUI ASDHIA USDHAIS UDHIA UD HIAUD HUIADHIA UDHAU IDHUI/
Lux P0G0: Lux slerpy sterpy … three sisters skippn’, nev/Rmind, d/n’t de/cidin’ do/in’, such as suggested. [No, worry passd by saints passn eyelash.] One, stellar cardboardtyp[pad[we press face ** them, ho hummin ho hummm. One, tappd+, tapdd&, trailin/g. One, xSUGgestd, xEYELASH/d.  Three, P0 G0 xxx "sterpy do don't decide do such as suggested no worry passed by saints passing eyelash stellar cardboard"
MaCu: [...]
Noise Research and Richard Knight: Richard Knight is a sonic/computational artist, usually performing with digital equipment. Incursions have established him as a practitioner of the no-input mixer, a subvertedwhich allows analogue feedback to be harnessed in an often precise and diverse manner. The performance for EOVI will see Richard utilise two no-input mixers, in an ongoing collaboration with Rodrigo Constanzo. Other relevant projects include the electroacoustic/jazz duo, ‘Pesticide Organica’; no-input techno project ‘Closed Circuit’ and experimental/electronica ‘Underbaud’. Noise Research is the Alter Ego of sound artists / musician Ian Simpson. Ian Simpson has worked in experimental music for many years and has material released on Electronic Musik, aReW, Casual Seizures, Bivouac, A.M.P recs, Knife in the Toaster and EMP. He works with improving quartet Id of Mobius (also on Clinical Archives), ambient project Bacillus, electronica duo Fonik and Krautrock Electronic droners Aht-n. Visual artist / film maker Adam Mufti has recently used music by Bacillus as part of a film soundtrack. Ian uses effects lines / processors combined with a variety of lapsteel guitar, cheap charity shop keyboards, circuit bent toys, scratched cd’s, chant generators, dictaphones, and chimera boxes.
PAS with Big Brother on Acid: I love the people who love and I hate the people who hate. http://www.bigbrotheronacid.com/ http://www.myspace.com/pas-music
Pixyblink: [...]
Planetadol and Ayato: improvisation recorded live on feb.26/2010 @ the Pixi_Paris. Planetaldol: lap top, tampura machine, bells. Ayato: prepared guitar, dictaphone
Qkcofse: [...] http://theunexpectedsound.blogspot.com
Reve Steich: while realizing the wait the step was caused!
Shield Your Eyes Pray For Death: Shield Your Eyes is the noise duo of Mike Duffy and Schuyler Tsuda. Their performances involve sound sculpture, DIY audio circuits, hacked/modified instruments, computer generated/assisted sounds and experimental video. Every show is unique, with machines, software, and video custom-made for the venue. http://shieldyoureyesprayfordeath.com/
Sinus Buds: Brant Withers: “Tu quoque” / John Aubuchon: “Ad populum”
Sound Inhaler: Rights and Privileges (Suffer the Loss) / As it happens there are particular aspects of my life to which I would like to maintain sole and exclusive rights and privileges……. and suffer the loss! soundinhaler@yahoo.co.uk www.myspace.com/soundinhaler
Thanato Twist with Oleg’s Sound System: Thanatomitstu V.02 : yamaha PSR48 & Thanatogushi ID    : yamaha DSR2000 additional instruments : turntable; radio; TR606 & analogic pedals. thanatotwist@rocketmail.com http://www.myspace.com/thanatotwist
Thomas Fernier: se vider de certaines images… civilité : voiture, sport, consommation d’alcool… suivant les besoins de la cause… un aspect un peu lunaire… le serrent contre leur cœur… mouvements de précision… mais le titre est vraiment venu après l’œuvre… protestation silencieuse… entre la plage et cette histoire… en vociférant par borborygmes… substances qui altèrent l’esprit… au moins une mort fut enregistrée… pour ceux qui n’arrivent même pas à formuler les choses
Zilmrah: Sharpen All Sides / Collaborators: Lawry Romani: 18 String Guitar Wheel, Autoharp, Electric Kalimba, Oscillators, Electric Tanpura, Effects / David Tamura: Tenor Saxophone, Guitar, Effects / Grady Gerbracht: Drums & Percussion / John Loggia: Drums & Percussion / Man must evolve into an armored being not only in body but more importantly in mind. This hyper-realized metaphor is on one level depicting sci-fi imagery for affect to grossly exaggerate the obvious; pointing out mans lack of understanding for the untapped regions in the human mind, the likes of which we sadly will not see come into fruition in our own lifetime. Static frequencies permeate the air waves that surround our minds, blocking free flowing thought, increasing the need for the mind to filter through elaborate defense mechanisms which are counter productive to the growth of the human mind yet necessary for mans sanity and survival. These machinations have become a slightly more sophisticated version of our primal instincts.  One can only conclude the only way to evolve is to isolate the mind from the negative side effects of day to day living including all counter productive persons within that sphere and stimulate our minds whenever possible in place of all negative human contact.

Stalaktos – ‘Diplura’ / sPE_0097

Posted in Carlos Fierro, Diplura, Marco Fierro by suRRism-Phonoethics on February 19, 2011

Stalaktos – ‘Diplura’

Stalaktos - 'Diplura' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Stalaktos – ‘Diplura’

Carlos Fierro | e-bass
Marco Fierro | synth & d-synth

‘if then fletched tongues crossed the street by as natural noise can get…’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0097
or here: Stalaktos – ‘Diplura’ (mp3 and covers)
Or from the player below (Stalaktos – ‘Diplura’ at Free Music Archive)

Visit these masteRs: Stalaktos

 

Invite to submit your MP3

Posted in 100th, sPE_0100 by suRRism-Phonoethics on February 18, 2011

INVITE to submit your track to suRRism-Phonoethics…

by Jaan Patterson on Friday, February 18, 2011 at 9:50pm

The 100th release of Surrism-Phonoethics is coming up, we want you being part of a compilation which will be releasing as sPE_0100

Please send your 320Kbps MP3 via any filesharing service to mail AT phonoethics DOT com

including 3bits of info Artist/Bandname, Country, LINK/contact

length up to 10 minutes

Hope you join the fun!

18th of March DEADLINE

http://surrism.phonoethics.com/

  1. _blank
  2. (D)(B)(H)
  3. 10Konekt
  4. Ama
  5. Andrew Howes
  6. Anton Mobin
  7. Apocalyptic Frequency Experience
  8. Ben Presto
  9. Berger Rond
  10. Big Brother on Acid
  11. Bonqui
  12. Bryan Lewis Saunders
  13. Carlos Ramirez
  14. Catalyst Fantasy
  15. Crank Sturgeon
  16. Dada AG
  17. Daniel Jeczalik
  18. Darius Greene
  19. DMAH
  20. Dpress Hill
  21. Dysmal Abyss
  22. Earth Incubator
  23. Ergo Phizmiz
  24. Erick Diego
  25. GoatCuntCult
  26. God Pussy
  27. GX Jupitter-Larsen
  28. Hal McGee
  29. Herr Penschuck
  30. Hopek Quirin
  31. Hyaena Fierling Reich
  32. i AM esper
  33. Ian Linter
  34. Ideosynchronic
  35. Imago Meccano
  36. Inconnu Ictu
  37. ION
  38. Isak Anderssen
  39. J Karl Bogartte & Jaan Patterson
  40. Jack Hertz
  41. Jared Balogh
  42. Jean Montag
  43. Jeff Gburek
  44. Jeremy Gluck & Dave Fuglewicz
  45. John 3:16
  46. Jonas Ruchenhever
  47. José Carlos Alonso Vazquez
  48. Juan Antonio Nieto
  49. John Clifford Rhody
  50. Justin Lee Brown
  51. K.O.B
  52. Kalendar
  53. Kommissar Hjuler
  54. Kommissar Hjuler & Frau mit Jaan Patterson
  55. Koobaatoo Asparagus
  56. Krupnik
  57. Kuuleminen Asiat
  58. LARA a’ Cappella
  59. Leif Elggren
  60. Lezet
  61. Ludo Mich
  62. Lux P0g0
  63. M.Mnomized
  64. Macu
  65. Matthew Sforcina
  66. Mikhail Lezin
  67. Mulinex
  68. Murmurists
  69. Mutant Beatniks
  70. Mutate
  71. Noise Research
  72. noizeDemon
  73. Nutrients
  74. Olelé Brut
  75. Ophir Ilzetzki
  76. Otras Carpeta
  77. Otto von Rhinau
  78. Owl Brain Atlas
  79. Pacific 231
  80. PAS
  81. Patrizia Oliva
  82. Philippe Petit
  83. Qkcofse
  84. Radio Klebnikov
  85. Rafal Iwanski
  86. Ralf Rabendorn
  87. Raymond Dijkstra
  88. Reve Steich
  89. Richard Lainhart
  90. .RR
  91. Runar Magnusson
  92. Rune Martinsen
  93. Sebastian Sighell
  94. Seiei Jack
  95. Sinus Buds
  96. Spidey Agutter
  97. Stalaktos
  98. suRRism
  99. Temple Music
  100. Thamyris Jones & Jaan Patterson
  101. The Curio Sideshow
  102. The Distortion Mirrors
  103. The Hare and The Moon
  104. The Implicit Order
  105. The Importance of Birds
  106. The Noisettes
  107. The Nothing Machine
  108. The Panjandrum Of Quondam
  109. Thee Virginal Brides
  110. Thierry Tillier
  111. Tobias Herzz Hallbauer
  112. ToBo
  113. Treillarmee
  114. undRess Béton
  115. Violence and the Sacred
  116. Vladimír Hirsch
  117. Wehwalt
  118. William Davison
  119. Ymmv
  120. Yoshihiro Kikuchi
  121. Zacarias Malden
  122. Zilmrah
  123. Zreen Toyz

 

Electronic Phantom Orchestra – ‘The Mystical Album’ / sPE_0096

Posted in Ben Presto, Electronic Phantom Orchestra, sPE_0096, The Mystical Album by suRRism-Phonoethics on February 18, 2011

Electronic Phantom Orchestra – ‘The Mystical Album’

Electronic Phantom Orchestra - 'The Mystical Album' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release
Electronic Phantom Orchestra – ‘The Mystical Album’

Electronic Phantoms are:

Hal McGee (USA)
Ben Presto (I-D)
Albrecht-D (D)
Reverend Man Manly (USA-D)
Splithead (D)

Recorded live in the ether
Munich, Germany, Dec. 2010

Very special thanks to LollyPope + Siemers (Sturclub, Stuttgart)
Play it random

‘first property mechanics
then spack at their particles’

-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0096
or here: Electronic Phantom Orchestra – ‘The Mystical Album’ (mp3 and covers)
Or from the player below (Electronic Phantom Orchestra – ‘The Mystical Album’ at Free Music Archive)

Visit this masteR: Electronic Phantom Orchestra

 

Ophir Ilzetzki – ‘Still Life with Riots’ / sPE_0095

Posted in Ophir Ilzetzki, sPE_0095, Still Life with Riots by suRRism-Phonoethics on February 18, 2011

Ophir Ilzetzki – ‘Still Life with Riots’

Ophir Ilzetzki - 'Still Life with Riots' a suRRism-Phonoethics Release

suRRism-Phonoethics is proud to release Ophir Ilzetzki – ‘Still Life with Riots’

Cover photo by Adam Weisser
ATM & Dance Music recorded & produced by Lot Lievaart for Pergamon Recordings

Long Live the Gathering was composed for the Synesthesia Project;
recorded & produced by Sagie Zakosky

Electronic manipulation for track 8, and live electronics for tracks 4 & 7
designed by Gilad Woltsovitch -

Electronic manipulation for track 10 designed by Federico Reuben

Many thanks to all the wonderful musicians who gave so willingly of themselves
in order to allow the realization of these beautiful performances.
Ophir Ilzetzki

‘less wave with independently smiling at the momentum’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0095
or here: Ophir Ilzetzki – ‘Still Life with Riots’ (mp3 and covers)
Or from the player below (Ophir Ilzetzki – ‘Still Life with Riots’ at Free Music Archive)

Visit this masteR: Ophir Ilzetzki

in courtesy of Pergamon Recordings.
Pergamon Recordings

 

Reve Steich – ‘Stunning for 18 Miles’

Posted in Reve Steich, Stunning for 18 Miles by suRRism-Phonoethics on January 26, 2011

Reve Steich – ‘Stunning for 18 Miles’

Reve Steich a suRRism-Phonoethics Release Reve Steich 0001

suRRism-Phonoethics is proud to release ‘Stunning for 18 Miles’ by Reve Steich

Receive your eligible copy here:
Reve Steich – ‘Stunning for 18 Miles’ (mp3 and covers)
or at:
Reve Steich at FMA

 

Crawl Max – ‘is coming…’ (January 25, 2011)

Posted in 2011, Crawl Max, is coming... by suRRism-Phonoethics on January 25, 2011

Crawl Max – ‘is coming…’ (January 25, 2011)

Crawl Max a suRRism-Phonoethics Release Crawl Max 0001

suRRism-Phonoethics is proud to release ‘is coming…’ by Crawl Max

Receive your eligible copy here:
Crawl Max – ‘is coming…’ (mp3 and covers)

Crawl Max at FMA

This audio is part of the collection: suRRism-Phonoethics

 

Colin Johnco – ‘Neo Love’ / sPE_0094

Posted in Arno Zhorn, Camille Blin, Frédéric D Oberland, Jérémy Piningre, Néo Love, sPE_0094, Zoologic by suRRism-Phonoethics on January 24, 2011

Colin Johnco – ‘Neo Love’

Colin Johnco - 'Néo Love' a suRRism-Phonoethics Release sPE_0094

suRRism-Phonoethics is proud to release ‘Neo Love’ by Colin Johnco

“the cause had admirers parks
the gardens of your ideas leaving charm to have arrangements existing in past

sculptural light in cranes behavior seems like his architectural underwear
though used as any boat made of elastic architecture torpedo
possibly made of things stuck to her monument”

-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0094
or here: Colin Johnco – ‘Neo Love’ (mp3 and covers)
Or from the player below (Colin Johnco – ‘Neo Love’ at Free Music Archive)

Visit: Colin Johnco

Balogh – ‘Detaching Realities’ / sPE_0093

Posted in Balogh, Detaching Realities, Jared C. Balogh, sPE_0093 by suRRism-Phonoethics on January 23, 2011

Jared C. Balogh – ‘Detaching Realities’

Balogh - 'Detaching Realities' a suRRism-Phonoethics Release sPE_0093

suRRism-Phonoethics is proud to release ‘Detaching Realities’ by Balogh

“sparkling glamour of grease passing the route of the time’s measurement,-
faulty faulty I dare to speak…”
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0093
or here: Balogh – ‘Detaching Realities’ (mp3 and covers)
Or from the player below (Balogh – ‘Detaching Realities’ at Free Music Archive)

Visit: Balogh
T.rans A.tlantic R.age
Altered State Reflections

 

Koobaatoo Asparagus – ‘Beyond the Retina’ / sPE_0092

Posted in Beyond the Retina, Koobaatoo Asparagus, sPE_0092 by suRRism-Phonoethics on January 23, 2011

Koobaatoo Asparagus – ‘Beyond the Retina’

Koobaatoo Asparagus - 'Beyond the Retina' a suRRism-Phonoethics Release sPE_0092

suRRism-Phonoethics is proud to release ‘Beyond the Retina’
by Koobaatoo Asparagus

Koobaatoo Asparagus

“we smiled
rinsing wounds
shy provoke
as for response
she whispered.”
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0092
or here: Koobaatoo Asparagus – ‘Beyond the Retina’ (mp3 and covers)
Or from the player below (Koobaatoo Asparagus – ‘Beyond the Retina’ at Free Music Archive)

Visit: Koobaatoo Asparagus

 

Ricardo Tejero/Julian Bonequi – ‘Tabla y Cuchillo’ / sPE_0091

Posted in Julian Bonequi, Ricardo Tejero, sPE_0091, Tabla y Cuchillo by suRRism-Phonoethics on January 22, 2011

Ricardo Tejero/Julian Bonequi – ‘Tabla y Cuchillo’

Ricardo Tejero/Julian Bonequi - 'Tabla y Cuchillo' a suRRism-Phonoethics Release sPE_0091

suRRism-Phonoethics is proud to release ‘Tabla y Cuchillo’
by Ricardo Tejero/Julian Bonequi

Ricardo Tejero (Tenor Saxophone)
Julian Bonequi (Cutting Table, Knifes, Objects & Voice)

Recorded at Rupprechtstraße 20, Berlin
on 17th December 2010
Contact: info [at] auditionrecords dot com

*Rubber & Plump outJulian Bonequi solo vs. Computer Fan

Artwork by Aniana Heras

‘the curtain would just suite me right
to leave my sight besides the vision of crkela & exon shuffling’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0091
or here: Ricardo Tejero/Julian Bonequi – ‘Tabla y Cuchillo’ (mp3 and covers)
Or from the player below (Ricardo Tejero/Julian Bonequi – ‘Tabla y Cuchillo’ at Free Music Archive)

Visit: Audition Records
Julian Bonequi
Ricardo Tejero

 

Carlos Ramirez – ‘Chemical Reaction’ / sPE_0090

Posted in Carlos Ramirez, Chemical Reaction, sPE_0090 by suRRism-Phonoethics on January 22, 2011

Carlos Ramirez – ‘Chemical Reaction’

Carlos Ramirez - 'Chemical Reaction' a suRRism-Phonoethics Release sPE_0090

suRRism-Phonoethics is proud to release ‘Chemical Reaction’
by Carlos Ramirez

‘the night would tie the air down to a low level of input
she seemed to reveal the abandoned leisure of fusing the buttons
in order to create the duality of plants singing with her…’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0090
or here: Carlos Ramirez – ‘Chemical Reaction’ (mp3 and covers)
Or from the player below (Carlos Ramirez – ‘Chemical Reaction’ at Free Music Archive)

Visit this masteR: Carlos Ramirez

 

Jack Hertz, PHOBoS, Blue Hell – ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’ / sPE_0089

Posted in Blue Hell, Gritty Transmutation (Dedicated to Peter 'Sleazy' Christopherson), PHOBoS, sPE_0089 by suRRism-Phonoethics on January 22, 2011

Jack Hertz, PHOBoS, Blue Hell – ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’

Jack Hertz, PHOBoS, Blue Hell - 'Gritty Transmutation (Dedicated to Peter 'Sleazy' Christopherson)' a suRRism-Phonoethics Release sPE_0089

suRRism-Phonoethics is proud to release ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’
by Jack Hertz, PHOBoS, Blue Hell

‘the threshold of explosion does not accept any limit…’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0089
or here: Jack Hertz, PHOBoS, Blue Hell – ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’ (mp3 and covers)
Or from the player below (Jack Hertz, PHOBoS, Blue Hell – ‘Gritty Transmutation (Dedicated to Peter ‘Sleazy’ Christopherson)’ at Free Music Archive)

 

Lechones Sangrientos – ‘Kaseum’ / sPE_0088

Posted in Kaseum, Lechones Sangrientos, sPE_0088 by suRRism-Phonoethics on January 16, 2011

Lechones Sangrientos – ‘Kaseum’

Lechones Sangrientos - 'Kaseum' a suRRism-Phonoethics Release sPE_0088

suRRism-Phonoethics is proud to release ‘Kaseum’
by Lechones Sangrientos

‘less wave with independently smiling at the momentum
more similar may cause this, so they are certainty such as unsanitary moments’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0088
or here: Lechones Sangrientos – ‘Kaseum’ (mp3 and covers)
Or from the player below (Lechones Sangrientos – ‘Kaseum’ at Free Music Archive)

Visit this masteR: Lechones Sangrientos

 

Thierry Massard – ‘Inconnu’ / sPE_0087

Posted in Anatole Massard, Inconnu, sPE_0087, Thierry Massard by suRRism-Phonoethics on January 16, 2011

Thierry Massard – ‘Inconnu’

Thierry Massard - 'Inconnu' a suRRism-Phonoethics Release sPE_0087

suRRism-Phonoethics is proud to release ‘Inconnu’
by Thierry Massard

‘Times how into somehow that would less be centered
by identifying the disabled diagrams resulted through experiencing the black-light spectral messages
as fluorescenting the conversation lamps’
-undRess Béton

COVER by Anatole Massard

Receive your eligible copy here:
http://www.archive.org/details/sPE_0087
or here: Thierry Massard – ‘Inconnu’ (mp3 and covers)
Or from the player below (Thierry Massard – ‘Inconnu’ at Free Music Archive)

Visit this masteR: Thierry Massard

Mikhail Lezin – ‘When computers go wrong’ / sPE_0086

Posted in Mikhail Lezin, sPE_0086, When computers go wrong by suRRism-Phonoethics on January 6, 2011

Mikhail Lezin – ‘When computers go wrong’

Mikhail Lezin - 'When computers go wrong' a suRRism-Phonoethics Release sPE_0086

suRRism-Phonoethics is proud to release ‘When computers go wrong’
by Mikhail Lezin

‘compressed and more pull against superior remembrance
above all phosphorescent million’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0086
or here: Mikhail Lezin – ‘When computers go wrong’ (mp3 and covers)
Or from the player below (Mikhail Lezin – ‘When computers go wrong’ at Free Music Archive)

Visit this masteR: Mikhail Lezin

Phlow Magazine – Top Netlabels 2010 suRRism-Phonoethics

Posted in Best of 2010 Netlabels, Phlow-Magazine by suRRism-Phonoethics on December 28, 2010

Phlow Magazine – Top Netlabels 2010 suRRism-Phonoethics

 

Phlow-Magazine Top Netlabels 2010

Thanks you so much!!

Matthew Sforcina & Lezet – ‘Tube Gospels – The Overture’ / sPE_0085

Posted in LEZET, Matthew Sforcina, Matthew Sforcina & Lezet, sPE_0085, Tube Gospels - The Overture by suRRism-Phonoethics on December 12, 2010

Matthew Sforcina & Lezet – ‘Tube Gospels – The Overture’

Matthew Sforcina & Lezet - 'Tube Gospels - The Overture' a suRRism-Phonoethics Release sPE_0085
Matthew Sforcina & Lezet - 'Tube Gospels - The Overture' a suRRism-Phonoethics Release sPE_0085

suRRism-Phonoethics is proud to release ‘Tube Gospels – The Overture’
by Matthew SforcinaLezet

‘marginalized-
trying, automatic ear…blessed ones’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0085
or here: Matthew Sforcina & Lezet – ‘Tube Gospels – The Overture’ (mp3 and covers)
Or from the player below (Matthew Sforcina & Lezet – ‘Tube Gospels – The Overture’ at Free Music Archive)

Visit these masteRs: Matthew SforcinaLezet myspace

 

i AM esper – ‘The Forgotten And Ruined Place’ / sPE_0084

Posted in i AM esper, Justin Palmieri, sPE_0084, The Forgotten And Ruined Place by suRRism-Phonoethics on December 12, 2010

i AM esper – ‘The Forgotten And Ruined Place’

i AM esper - 'The Forgotten And Ruined Place' a suRRism-Phonoethics Release sPE_0084

suRRism-Phonoethics is proud to release i AM esper – ‘The Forgotten And Ruined Place’
by Justin Palmieri

‘it really compares to the motto from here: “suffering” i’m don’t maybe,- huh’
-Lester Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0084
or here: i AM esper – ‘The Forgotten And Ruined Place’ (mp3 and covers)
Or from the player below (i AM esper – ‘The Forgotten And Ruined Place’ at Free Music Archive)

Visit this masteR: i AM esper myspace
i AM esper Official or at (Soundcloud)

 

The Wounded Violets / sPE_0083

Posted in Dossano, Elizabeth Amber, sPE_0083 by suRRism-Phonoethics on December 10, 2010

The Wounded Violets

The Wounded Violets a suRRism-Phonoethics Release sPE_0083
The Wounded Violets a suRRism-Phonoethics Release sPE_0083

suRRism-Phonoethics is proud to release The Wounded Violets
by Matthew Hunzeker and Elizabeth Amber (Dossano)

‘there’s your wish!’
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0083
or here: The Wounded Violets (mp3 and covers)
Or from the player below (The Wounded Violets at Free Music Archive)

Visit these masters: The Wounded Violets
Matthew Hunzeker and Elizabeth Amber (Dossano)

 

The Side Effect – ‘Act 3 + 4 Balcony Scene’ / sPE_0082

Posted in Act 3 + 4, Balcony Scene, sPE_0082 by suRRism-Phonoethics on December 10, 2010

The Side Effect – ‘Act 3 + 4 Balcony Scene’

The Side Effect - 'Act 3 + 4 Balcony Scene' a suRRism-Phonoethics Release sPE_0082

suRRism-Phonoethics is proud to release The Side Effect
by Dan Pålsson (Pythagora), Pierre Sjöbring (Pilectro)

‘many suppliers delivered at instances through fur borough
and so called skins tied nine
of them back in 1951′
-undRess Béton

Receive your eligible copy here:
http://www.archive.org/details/sPE_0082
or here: The Side Effect – ‘Act3 + 4 Balcony Scene’ (mp3 and covers)
Or from the player below (The Side Effect – ‘Act 3 + 4′ at Free Music Archive)

Visit these masters: Dan Pålsson (Pythagora), Pierre Sjöbring (Pilectro)

 

undRess Béton – ‘The Unfiled 7′ / udRB_0004

Posted in The Unfiled 7, udRB_0004, undRess Béton by suRRism-Phonoethics on December 8, 2010

undRess Béton – ‘The Unfiled 7′

undRess Béton - 'The Unfiled 7'

Receive your eligible copy here:
undRess Béton – ‘The Unfiled 7′ (mp3 and covers)
or here: undRess Béton at Internet Archive

Or from the player below (undRess Béton – ‘The Unfiled 7′ at Free Music Archive)

Salsif Bromen – ‘#001#’ / sPE_0081

Posted in 001, José María Pastor Sánchez, Salsif Bromen, sPE_0081 by suRRism-Phonoethics on December 8, 2010

Salsif Bromen – ‘#001#’

Salsif Bromen - '#001#' a suRRism-Phonoethics Release sPE_0081

suRRism-Phonoethics is proud to release Salsif Bromen by José María Pastor Sánchez

Esta pieza es una improvisación libre con distintos materiales sonoros extraídos de grabaciones de campo,
así como de diversas músicas improvisadas.
Todas ellas han sido mezcladas y procesadas en tiempo real.

Salsif Bromen

Receive your eligible copy here:
http://www.archive.org/details/sPE_0081
or here: Salsif Bromen – ‘#001#’ (mp3 and covers)
Or from the player below (Salsif Bromen – ‘#001#’ at Free Music Archive)

Visit this master: Salsif Bromen

Pablo Ribot – ‘Mix.Step’ / sPE_0080

Posted in Mix.Step, Pablo Ribot, sPE_0080 by suRRism-Phonoethics on December 5, 2010

Pablo Ribot – ‘Mix.Step’

Pablo Ribot - 'Mix.Step' a suRRism-Phonoethics Release sPE_0080

suRRism-Phonoethics is proud to release Pablo Ribot‘s 4th sPE_release ‘Mix.Step’!

Audiovisual artist, producer, composer and guitarist.
Mix.Step (2010) released with the suRRism-Phonoethics netlabel.

His work focuses on electronic-experimental-electo-acoustic music.
Micro sounds, broken and unarticulated shapes, are combined with free-style,
taking influences from the avant-garde, jazz, glitch and circuit bent sound.

Pablo Ribot grabbing the nut once AGAIN!

Receive your eligible copy here:
http://www.archive.org/details/sPE_0080
or here: Pablo Ribot – ‘Mix.Step’ (mp3 and covers)
Or from the player below (Pablo Ribot – ‘Mix.Step’ at Free Music Archive)

Visit this master: Pablo Ribot

 

Tagged with: , ,

Arjopa – ‘This is Arjopa’ / sPE_0079

Posted in Arjopa, Khoomei Throatsinging Folk Punk, sPE_0079, The Master U-like by suRRism-Phonoethics on December 4, 2010

Arjopa – ‘This is Arjopa’

Arjopa - 'This is Arjopa'
Arjopa - 'This is Arjopa'
suRRism-Phonoethics is thrilled to release Arjopa ‘This is Arjopa’

‘please wind – du your called vague
the call of authentic appears in vibes dressed to suit any need’

-undRess Béton

Receive your eligible copy here:
Arjopa – ‘This is Arjopa’ (mp3 and covers)
or here: Arjopa at Internet Archive

Or from the player below (Arjopa – ‘This is Arjopa’ at Free Music Archive)

Visit these masteRs:
Arjopa
Arjopa (Official Page)

Kuuleminen Asiat – ‘Wires on Words’ / sPE_0078

Posted in Kuuleminen Asiat, Matthew Hunzeker, sPE_0078, The Wounded Violets, Wires on Words by suRRism-Phonoethics on December 4, 2010

Kuuleminen Asiat – ‘Wires on Words’

Kuuleminen Asiat - 'Wires on Words'

suRRism-Phonoethics is proud to release Kuuleminen Asiat ‘Wires on Words’

‘hexer measured that fortunate flower dress den is not in or but loving out’
-undRess Béton

Receive your eligible copy here:
Kuuleminen Asiat – ‘Wires on Words’ (mp3 and covers)
or here: Kuuleminen Asiat at Internet Archive

Or from the player below (Kuuleminen Asiat – ‘Wires on Words’ at Free Music Archive)

 

Alexander Kibanov & Norihito Kodama – ‘Radio Sessions’ / sPE_0077

Posted in Alexander Kibanov, Norihito Kodama, Radio Sessions, sPE_0077 by suRRism-Phonoethics on December 4, 2010

Alexander Kibanov & Norihito Kodama – ‘Radio Sessions’

Alexander Kibanov & Norihito Kodama - 'Radio Sessions'

suRRism-Phonoethics release Alexander Kibanov & Norihito Kodama
and their ‘Radio Sessions’!

‘here you’re just bags!’
-undRess Béton

Receive your eligible copy here:
Alexander Kibanov & Norihito Kodama – ‘Radio Sessions’ (mp3 and covers)
or here: Alexander Kibanov & Norihito Kodama at Internet Archive

Or from the player below (Alexander Kibanov & Norihito Kodama – ‘Radio Sessions’ at Free Music Archive)

 

Jack Hertz – ‘Dark Destinations’ Live tribute performance for Peter “Sleazy” Christopherson / sPE_0076

Posted in Dark Destinations, Jack Hertz, Peter "Sleazy" Christopherson, sPE_0076, Tribute by suRRism-Phonoethics on December 4, 2010

Jack Hertz – ‘Dark_Destinations’

Jack Hertz - 'Dark Destinations' A tribute to Peter 'Sleazy' Christopherson

suRRism-Phonoethics is honored to release Jack Hertz
and his live tribute for Peter “Sleazy” Christopherson!

Recorded: 2010-11-25
Location: radio.electro-music.com
Gear: FM8 (2), KX-SYNTH-X16-V3, Quad Frohmage, Predatohm

 

‘‘endloser traum’
may reverese’

-undRess Béton

Receive your eligible copy here:
Jack Hertz – ‘Dark Destinations’ (mp3 and covers)
or here: Jack Hertz at Internet Archive

Or from the player below (Jack Hertz – ‘Dark Destinations’ at Free Music Archive)

 

undRess Béton – ‘Unrecorded Tissues’ / udRB_0003

Posted in udRB_0003, Unrecorded Tissues by suRRism-Phonoethics on December 3, 2010

undRess Béton – ‘Unrecorded Tissues’

undRess Béton - 'Unrecorded Tissues'
undRess Béton - 'Unrecorded Tissues'

‘Unrecorded Tissues’ play forward & backwards!!

now as roots nurse taught flying
the call of authentic appears in diapers fun
none of those were menda’s he said.

Im er rev.in eyes

please wind – du your called vague
jerk jets deleted then realized like now she wasn’t to purse paradoxes

hexer measured that fortunate flower dress
den is not in or but loving out

paradoxes purse i life
those especially fear only

decided was the fact that bled his tongue
‘endloser traum’ der may reverese
min hidden errors is like the bio gesicht…

Furry sight we use to disgust as mex bags!
Deforcement tides fur or and for lost sorry

loosen undRessed handles
hatte – & if had hid hidden, we might

ist so wie ein pondered telephone
just it’s trendy scale

here you’re just bags!

As he cancel topf technic as or cooking
my forced pants drop any files

time the lost!

Can flangerology in dude flies say her
discuss as my die welk trash be

paper
love

called fluctuations are over

was fly
my now is:

got risen
auch too i bag,
the bugs as bags

don sideways now
hier natural at urne,
ties,
put fruit about have eitherstand
that nuns youRs getting

(relieved version of ‘deleted my trash’)

-undRess Béton (on date to date)
Receive your eligible copy here:
undRess Béton – ‘Unrecorded Tissues’ (mp3 and covers)
or here: undRess Béton at Internet Archive

Or from the player below (undRess Béton – ‘Unrecorded Tissues’ at Free Music Archive)

Zacarias Malden – ‘Prompt’ / sPE_0075

Posted in Prompt, sPE_0075, Zacarias Malden by suRRism-Phonoethics on November 28, 2010

Zacarias Malden – ‘Prompt’

Zacarias Malden - 'Prompt'

suRRism-Phonoethics proudly presents Zacarias Malden ‘Prompt’!

 

‘These as can still that must be expressed.
Retouched by and the to along of us,
MEMORABILIA,
of whose of I what very number sentence acts
then they blurred

not do be Language’

-undRess Béton

Receive your eligible copy here:
Zacarias Malden – ‘Prompt’ (mp3 and covers)
or here: Zacarias Malden at Internet Archive

Or from the player below (Zacarias Malden – ‘Prompt’ at Free Music Archive)

 

Control-Z – ‘Cut to Cut’ / sPE_0074

Posted in Control-Z, Cut to Cut, Pandu Hidayat, sPE_0074 by suRRism-Phonoethics on November 27, 2010

Control-Z – ‘Cut to Cut’

Control-Z - 'Cut to Cut'

suRRism-Phonoethics proudly presents Control-Z ‘Cut to Cut’!

 

‘he decided to hence, so the rest already already did try to do cancel.
fortunate sample was times as they also noticed colors-
while realizing the wait the step was caused!
larry was out of reach…
could wanting to deceive a mission?
ranting cause trashed ‘bangs’’

-undRess Béton

Receive your eligible copy here:
Control-Z – ‘Cut to Cut’ (mp3 and covers)
or here: Control-Z at Internet Archive

Or from the player below (Control-Z – ‘Cut to Cut’ at Free Music Archive)

Visit this master Control-Z (myspace) - Control-Z (youtube)

 

Matthew Sforcina – ‘Pillar of Light’ / sPE_0073

Posted in Matthew Sforcina, Pillar of Light, sPE_0073 by suRRism-Phonoethics on November 27, 2010

Matthew Sforcina – ‘Pillar of Light’

Matthew Sforcina - 'Pillar of Light'

suRRism-Phonoethics proudly presents Matthew Sforcina ‘Pillar of Light’!

 

‘light 124 and white-light
correctly installed requirement lamps

become is the are of virtue
a still image to no I universe.’

-undRess Béton

Receive your eligible copy here:
Matthew Sforcina – ‘Pillar of Light’ (mp3 and covers)
or here: Matthew Sforcina at Internet Archive

Or from the player below (Matthew Sforcina – ‘Pillar of Light’ at Free Music Archive)

 

Ergo Phizmiz – ‘Collected Sound Installations’ / sPE_0072

Posted in Collected Sound Installations, Ergo Phizmiz, sPE_0072 by suRRism-Phonoethics on November 21, 2010

Ergo Phizmiz – ‘Collected Sound Installations 2002-2010′

Ergo Phizmiz - 'Collected Sound Installations'

suRRism-Phonoethics proudly presents Ergo Phizmiz ‘Collected Sound Installations 2002-2010′!

‘Ergo Phizmiz¬
…with lips of rusty time across comes and umbrella my sound
screaming fast tackled idea crumbling neck folding squiRts…
i upon coin less mentions ‘a true threshold of infinity’
this music more than a quantum classical deterministic probability!
interpretations do apply most there & within well
as those aspects will invent probabilities…
irreducible wonderland quality in mathematics!
ceiling, and bag came left to the “off” then slow smacking the another “why”
just sprung the brake, fire see plastic…
though sin{ema} have any here together – fruit & put else, concrete dazzlingly feathers
releasing uncapped and tossed captured frames gathered as one perennial!’

-undRess Béton on eRgo Phizmiz

Receive your eligible copy here:
Ergo Phizmiz – ‘Collected Sound Installations’ (mp3 and covers)
or here: Ergo Phizmiz at Internet Archive

Or from the player below (Ergo Phizmiz – ‘Collected Sound Installations’ at Free Music Archive)

Visit this master Ergo Phizmiz (homepage) - Ergo Phizmiz (blog)
Ergo Phizmiz at Myspace

in courtesy of Care in the Community Recordings (homepage)
Care in the Community Recordings (myspace)

 

Tobias Herzz Hallbauer – ’84°3′N,174°51′W’ / sPE_0071

Posted in 174°51'W, sPE_0071, Tobias Herzz Hallbauer by suRRism-Phonoethics on November 13, 2010

Tobias Herzz Hallbauer – ’84°3′N,174°51′W’

Tobias Herzz Hallbauer - '84°3'N,174°51'W'

suRRism-Phonoethics proudly presents Tobias Herzz Hallbauer ’84°3′N,174°51′W’!

With this record Tobias Herzz Hallbauer demonstrates the basis for all other music he creates:
soundscapes, miniatures, improvisations and compositions for guitar, guitar-fx and loop sampler.

Performed, recorded, mixed and mastered by Tobias Herzz Hallbauer, 2009.

‘…tender evaluation
an in is rather assertive out

the cause had admirers parks
the gardens of your ideas leaving charm to have arrangements existing past-

…sculptural light in cranes behavior seems like his architectural underwear
though used as any boat made of elastic architecture torpedos
possibly made of things stuck to her monument

however, case that line.’
-undRess Béton

Receive your eligible copy here:
Tobias Herzz Hallbauer – ’84°3′N,174°51′W’ (mp3 and covers)
or here: Tobias Herzz Hallbauer at Internet Archive

 

zblug – ’68′ / sPE_0070

Posted in 68, Dom Dubois-Taine, Tiri Carreras, zBlug by suRRism-Phonoethics on November 12, 2010

zblug – ’68′

zblug - '68'

suRRism-Phonoethics proudly presents zblug ’68′!

‘The (a left it’s gaps / itself filmed but spectacle ]

his tradition to certain detours will cause styles that are defunct
with scaffolding or such objects as your current look:
and, -
motives shocking careful / makes them End for time
most begin as use to make construction sorts & forms useless

environment / et aliae
a prow emotional détournement…’

-undRess Béton

Receive your eligible copy here:
zblug – ’68′ (mp3 and covers)
or here: zblug at Internet Archive

Apocalyptic Frequency Experience – ‘Subliminal Info Data’ / sPE_0069

Posted in Apocalyptic Frequency Experience, sPE_0069, Subliminal Info Data by suRRism-Phonoethics on November 12, 2010

Apocalyptic Frequency Experience – ‘Subliminal Info Data’

Apocalyptic Frequency Experience - 'Subliminal Info Data'

suRRism-Phonoethics proudly presents another fine one by Apocalyptic Frequency Experience!

‘stand forcefulness plastic as handkerchiefs
rather than orientations that never pants lumpy
hence them scrape your …’

-undRess Béton

Receive your eligible copy here:
Apocalyptic Frequency Experience – ‘Subliminal Info Data’ (mp3 and covers)
or here: Apocalyptic Frequency Experience at Internet Archive

Visit Apocalyptic Frequency Experience

 

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